Original title: Revelation of Xu Anhua’s film "Going North" — — Exploration on the dissemination of domestic high-concept films

Hong Kong director Xu Anhua won the Lifetime Achievement Award at the 77th Venice Film Festival. Recently, her new film has released a lot of publicity materials. Not only the actors are all-stars, but also the technical teams such as screenwriter, photographer, editor, art and sound are the top configurations in the film industry. The media drainage has earned the audience’s expectations. Based on Zhang Ailing’s novel of the same name, the film is ostensibly a drunken love story. In fact, through the social scenes of the upper class in Hong Kong during the Republic of China, it depicts the speculative themes such as emotion, desire and willingness, and shows the rich and complex cultural connotation by peeping into the geo-historical relationship between the two cities of Shanghai and Hong Kong and the humanistic features of Hong Kong.

Director Xu Anhua is a representative of the new wave of Hong Kong films. Looking at his creative process, we can find that the extreme genre aesthetics and deep humanistic care are the two most prominent labels of his works, which are not only the secret of Hong Kong films to convey "Hong Kong flavor", but also the development form of film aesthetics that China film industry expects to achieve at present, and the creative paradigm of new mainstream films is based on this. From the perspective of industrial thinking, the goal of film creation is to realize the function of economic value and cultural discourse construction through communication. Therefore, how to effectively distinguish films and realize multi-focus communication has always been one of the core propositions in the field of film communication in China.

Before the industrialization reform, it was customary in China to make morphological differences according to the dichotomy of commercial films, art films and main melody films. With the reform of China’s film industrialization and the collective development of Hong Kong directors going northward, the aesthetic concept and production mode of genre films are in line with the mainland film industry through co-production, and gradually become a new force in the film industry. At present, China’s film industrialization process has made remarkable achievements, and new changes have taken place in the fields of film aesthetics and film communication. Trigonometry or simple commercial typology can no longer properly summarize the film differences, so new ways of differentiation and communication paths are needed to supplement them.

Taking the three representative films of Xu Anhua’s "Going North" as an example, it is difficult to generalize them into certain types or pure art films, and these films have typical commercial production and distribution modes. Although the postmodern life of my aunt is stylized in aesthetic expression, its narrative is far better than that of Hollywood genre films, and it has distinct author brand and feminist characteristics. "Golden Age" breaks the double time and space inside and outside the camera, which is more experimental than commercial, and even causes some viewers to understand obstacles; When is the Bright Moon? It has a typical theme value appeal, based on the communication of Ming Xing Kasi, but it does not use genre creation, but poetically shows the theme of war and the group images of heroes in the war. These films enrich the aesthetic forms of domestic films, have distinct national aesthetic characteristics, and also provide a new idea for the industrial creation of domestic films, that is, high-concept films.

The definition of "high concept" comes from American TV industry in 1980s, and has been widely used in film field. It can be simply understood as a work with simple form, effective narration, high return on investment and typical labeling selling points. Its core connotation is to emphasize the advantages of production, publicity and other industrial fields, and try to establish an effective communication path to realize the commercial value of movies, which is in line with the guiding opinions of China’s film industrialization development. For film creation, the significance of high-concept film dispels the inevitable connection between commercial orientation and genre aesthetics, which is a more mature industrial thinking. Works with any theme and expression can be put on the market and return on investment through the industrialization promotion process. The high-concept film replaces the communicator-oriented thinking with the communication effect-oriented thinking, which is more in line with the characteristics of media and users in the new media era.

High-concept film is an industrial concept rather than an aesthetic concept. Therefore, it can be applied to the industrialization promotion of film works indiscriminately, which complements the industry’s detailed classification according to the aesthetic form of films. In recent years, a large number of domestic films with distinctive literary and artistic features have adopted high-concept production and publicity methods, and actively participated in market competition: for example, The Forever directed by Bi Gan, Jia Zhangke and Wang Xiaoshuai. The artistic quality and author style of these films are difficult to be classified by genre or business, and only by combining them with high-concept production and distribution thinking can we achieve better market response in both word-of-mouth and box office.

In addition, this dissemination effect-based production and distribution method is also applicable to the industrialization of documentaries: successful cases include. On the other hand, the National Art Film Projection Alliance has many preferential policies for the distribution and projection of non-genre films, forming a benign support. On the one hand, its significance recognizes that in the process of film industrialization, focus aesthetics provides a broad sinking market for art films and encourages non-genre film creation; On the other hand, from the perspective of industry, ensure that non-genre films have sufficient market competition channels and stable living space.

Judging from the aesthetic development of domestic films, genre films are a rising star in the reform of film industrialization and occupy a considerable advantage in the box office war. However, it is obviously not enough to ensure the healthy and all-round development of the whole industry by relying on a single aesthetic feature. Author films, realistic works, experimental films, documentaries, etc. should gradually participate in the market competition. The exploration of the dissemination of high-concept movies provides a valuable reference for this.

Back to the new film "The First Furnace Incense", the various features of the film basically conform to the concept definition of high-concept movies. The novel text of this film adopts the creative technique of modern literature, but many of its language plots and characters are clearly branded with the classic novel A Dream of Red Mansions, and Xu Anhua is good at adapting it with postmodern fable color through film language. Compared with the director’s early works such as My Aunt’s Postmodern Life, the aesthetic form of The First Furnace Incense must be rich and diverse. The market’s acceptance of high-concept movies will usher in another useful test. (Author: Zhao Yi, Associate Professor of New Media Art College of Xi ‘an Engineering University, Master Supervisor)

Original Shangliu Studio Netease Shangliu

It’s never an alarm clock or a dream to wake the gentleman up, but the sound of "pa …… pa … pa" comes from the small park downstairs on time every day. Don’t think wrong, I’m talking about the whipping sound of the park uncle.

Maybe your impression of Grandpa Park is still stuck in waving his hands and gesticulating with Tai Ji Chuan, or bumping into a tree without a word, but in fact, the uncles have already played Strafe.

Bend your waist, get angry, shake your wrist, whip and smack!

If AJ is a sharp weapon for bar hipsters to pick up girls, then this action of dumping Strafe is the only way for park grandfathers to return to youth and win their aunt’s eyes. The weak life lasts for three seconds instantly.

It is said that men are addicted to military weapons because weapons are an extension of men’s penis.

The children who set off the cannon proved their heroism in the explosion of confetti, blue smoke and guns, even though they were powerless.

This tried-and-true method has also been awakened from the memory of the aging grandfathers. Of course, setting off firecrackers is illegal in some places, but the sound of whips is comparable to firecrackers.

With the help of whipping, grandfathers can also look for the lost glory, and whipping is the last aphrodisiac for the old guns who are not satisfied with the old age.

Imagine, when you pass by a park or a small forest on a dark night, suddenly your back is cold, followed by a loud explosion, and countless sound fragments split the wind, swishing past your ears, leaving tinnitus bursts.

At first glance, I thought it was thunder, but when I looked intently, it turned out that an uncle was swinging his whip in the street with his head held high, his wrist shook and his whip snapped.

I can’t beat it, but I dare to make a detour when I hit it, and I am afraid that a few meters long whip will be drawn on me.

In order to prove that this is not my personal fear, Shangjun interviewed a wave of people on the spot-

"The last time I was almost swept by the uncle’s whip in the community, it was really a little bit. The wind brought by the whip tip was close to my face and I almost peed."

"Let’s just say that the lawn in the small park has never been mowed properly since there was a whip. After all, it was bald by the whip."

"I just want to know if the sound of grandpa’s whip can overwhelm aunt’s square dance horn?"

△ Whipping a whip instead of firecrackers is good, festive and environmentally friendly, but it costs a little.

In fact, people’s discovery of the whip ring was not in the current residential areas and parks, but as early as the Qing Dynasty, and it was clearly understood and applied to the imperial court. This is the static whip.

The Journey to the West’s tenth reply: "The static whip rings three times, and the clothes are crowned." Whip a few times at the early court to show silence, and the princes in purple robes should tidy up their clothes and pay homage to the emperor.

In the TV series "Yongzheng Dynasty", there is a scene in which a eunuch throws a whip in front of the Ganqing Palace, and the penetrating whip sounds around the splendid palace.

Not all weapons can send out the penetrating power of whips, which is the attraction of whipping.

As early as one hundred years ago, curious people looked for the principle of whip sound:

When the whip-wielding hand suddenly stops, according to the law of conservation of energy in high school textbooks, the kinetic energy of the whip still exists, and it will be transmitted from the place where it is held to the tip of the whip, and the speed will be from slow to extremely fast because the mass is smaller as the whip tip goes further.

When the speed of whip tip reaches the speed of sound, compressed air will be generated, resulting in sonic boom.

"pa!"

It is said that if you want to find the excitement of the same sonic boom, you can only go to see the supersonic plane.

Is that a whip? This is a supersonic plane!

Naturally, it is understandable why park grandfathers are so keen on Strafe.

Imagine that a loud bang rippled away in the park, and all the people within 50 meters of Fiona Fang were startled by the sound, and no one dared to approach within 10 meters, which was a sense of sight for a total annihilation. In this situation, no matter how weak people are, they can support themselves for three seconds.

As long as the uncle doesn’t meet another uncle who throws a whip.

No one has studied the difference between the dance style of the square dance aunt under the arch wall of Yaohan in Lujiazui and the dance style at the entrance of the supermarket in the fifth and sixth line town. Maybe the aunt doesn’t care at all.

But you can’t say that the grandfather who whips in the park is also indiscriminate.

Uncle have no martial ethics will definitely scold you. After all, they think they are all orthodox martial arts people.

With the spread of short videos, the major whipping sects ignited a spark on the earth and blossomed everywhere.

At this time, anyone who said that Chinese had no imagination and creativity should slap his mouth with guilt when he saw the name of the whip school.

Whip is an unexpected and small branch of China’s cold weapons, but this branch is now thriving in China Park-

Yang Dequan, an old comrade in Dalian, created a "free and unfettered whip" on the basis of traditional whipping methods such as Tongbei Whip, Luohan Whip, Four-door Eight-step Whip, Competition Whip and Plum Blossom Whip.

Mei Chaofeng’s "dragon whip method" has also been made superb by young people in Hunan.

△ Even the young man began to practice whipping | Source: Nice video

In addition, there is a "whip that kills and chases souls."

Shangjunjun thought it was a sect that was pulled out by hard work, but later I found out that I was wrong. The master wrote a two-thousand-word essay introduction: impermanence has two meanings. First, it is fast, changeable and unpredictable; Second, this whip is cruel and spicy, and gangsters will see impermanence when they meet, so it is called killing.

Yes, not only killing people, but also chasing souls.

In Shaanxi, in the intangible story of Huayin in Shaanxi, "Huashan Whipping" was named the third batch of intangible cultural heritage list in huayin city in 2015.

When the whip came to Shanxi, it was natural to have something to do with Guan Gong who came out of Shanxi. No matter what weapon Guan Gong used, Guan Gong was going to speak for the whip in Shanxi at the moment-"Guan Gong’s dragon and phoenix whip".

Among all the whips, only the "unicorn whip", which came out from the northeast and evolved from the driving whip often used by horse racing teams in the last century, temporarily broke through the group in regional parks and was loved by grandfathers in other regions.

In a word, at one time, whip martial arts blossomed more on the land of China.

At present, the popular whip on the market is mainly composed of three parts: stainless steel chain+woolen hemp whip+woolen strip. It is said that there are also special training courses on the market to teach technical whipping, just to let the grandfathers "be king with one fling" in the park.

Of course, the flourishing scene everywhere is like the three thousand beauties in the harem, which is all loves to outsiders who have nothing to do with themselves, but the three thousand beauties who are insiders can’t avoid embarking on the road of competing for beauty, and the involution must be rolled.

It is difficult to accommodate two tigers in one mountain, and two whip kings are not allowed in a park.

This is the best time and the worst time for whipping.

Fortunately, the park is their martial arts training room, and the Internet is their megaphone. Therefore, the whip kings are glaring in the camera, and they are always excited, hehehehehehe, looking for families for the growth of the sect.

"Thank you for your praise, and thank you for your attention."

But this is also the worst time. If we say that there is no clear standard for the flower work of unicorn whip, but when it comes to heavy whip, the standard is clearly visible: the weight of whip determines the level of whip king.

In 2013, Xi Chengyi made a blockbuster by waving Strafe, which weighed 50 Jin, and was named "China Whip King".

Today, short videos speed up the flow of information, and anyone who calls himself "China Whip King" will have a thorough display of the dialogue from a distance and break heads with each other.

The internet has forced the whip kings to roll.

Once the "China Whip King", it also continued to overweight. In five years, the whip gained seven times and began to challenge the 412 kg whip.

Today, iron whip, who weighs 365 Jin and is 36 meters long, only dares to call himself "King of Yuzhou Whip". No one knows how old Yuzhou is, so it is no longer harsh.

Strafe, an elder brother in Henan, waving a 200-pound Strafe, can only wander around the temple fair in henan village, wearing three village medals.

The results are not easy to get, and the cost is becoming more and more amazing.

Guo Ge of Qingdao has increased from a few kilograms of iron whip to 45 kilograms now. He owns nine iron whip, and it has cost tens of thousands of yuan to modify and customize.

What’s more, this 412-pound steel dragon whip seems to have real money to be the king of whip.

It suddenly occurred to me that the pride of the old master, "Desperate for the soul and impermanent whip": Friend, when you throw out a set of whipping methods, it is the end of gangsters!

But what Lao shifu didn’t expect was that the glory of martial arts in the past would eventually face another dilemma of real civilization:

Doing chivalrous deeds and throwing out a set of whipping methods is noisy and polluting.

The sonic boom produced by whipping is more than twice the standard value of noise, which is easy to cause hearing loss and can lead to tinnitus in children.

The chicken thief said happily that this can be used as a reference for the whip king. Iron whip, which has not been complained by 100 residents, has the nerve to be called "King of Whips"?

Naturally, this method is indispensable for neighbors to complain at home. Old comrades play their wit behind the ears and sincerely ask: What Strafe? Throw steel. What? What whip?

Guo Ge, who has nine whips, told Qingdao Morning Post that he had been driving a carriage and ox cart for eight years when he was in the Inner Mongolia Construction Corps. At that time, the whip was very slippery, and after returning to Qingdao, he did not adapt and suffered from depression.

However, the residents of the community have been screaming for a long time.

Perhaps when we saw this tweet, some residents had pressed the 12319 noise complaint phone to complain about the whip kings.

The gentleman here strongly suggests, grandfathers, please don’t base your support on disturbing others’ spring dreams. After all, whose "pa-pa-pa" is not worth cherishing.

Author | Bit Bright

Original title: "Is the whip really the last aphrodisiac of Grandpa Park? 》

Read the original text

On May 21, the official announcement of the China Watch Awards lineup announced that the guests attending the 18th and 19th China Film China Watch Awards Ceremony on May 23 announced that there were 280 artists, which simply moved to the whole entertainment circle.

Among them, there are many first-line stars: Andy Lau, Shen Teng, Zhang Ziyi, Jason Wu, Zhang Yi … and the blessings of directors: Xiaogang Feng, Huang Jianxin, Xú Zhēng, Wenmuye; At the same time, various traffic stars also gathered on the list: Jackson Yee, Karry, Yang Yang, Zhou Dongyu, YiBo, Angelababy and so on.

The list is as follows:

Abdul Karim Abuli, Allen, Ao Ziyi, Bai Narisu, Baoyin Nimuhu, Bi Gan, Bevan, Cao Jinling, Ceng Guoxiang, Zeng Xiaomin, Changyou, Chen Chong, Chen Daoming, Chen Feiyu, Chen Guohui, Chen Guoxing, Chen Halin, Chen He, Chen Jiashang, Chen Kaige, Chen Kexin, Chen Kun, Chen Wanglin. Du Jiang, Adam, Fan Yuan, Fan Zhibo, Feng Feng, Feng Xiaoning, Fu Yan, Gao Yalin, Geritu, Ge You, Geng Le, Gong Zhe, Gong Geer, Guan Xiaotong, Guo Xiaodong, Hayisha Tabarek, Han Geng, Han Haolin, Han Mei, Hou Jingjian, Hu Bing, Hu Mei, Huang Jiakang, Huang Jianxin, Huang Mei. Li Naiwen, Li Qin, Ruijun Li, Li Shaohong, Li Weiran, Li Xuejian, lianglin, Lin Chaoxian, Lin Lining, Lin Xiaoqian, Lin Yongjian, Lin Yun, Andy Lau, Liu Haocun, Liu Jiangjiang, Liu Jin, Liu Mintao, Liu Mu, Liu Weiwei, Liu Xiaoqing, Liu Xiaoshi, Liu Xunzi Mo, Liu Ye, Liu Yulong, Liu Mu.Bayituken, Rachel Momo, Dahong Ni, Ni Hongjie, Ni Ping, Haiqiang Ning, Ning Jingwu, Ning Zongyuanda, Pan Binlong, Peng Yuchang, Qixi, Qiao Xin, Qin Hailu, Qu Jingjing, Quan Yongxian, Ren Dahua, Ren Suxi, Joey Yung, Sha Yi, Shao Yihui, Shen Jian, Shen Teng, Shi Ce, Shu Huan, Song Yiyi. Karry, Miao Xia Wang, Wang Renjun, Tong Wang, YiBo, Wang Changtian, WangZhifei, Wang Zhi, Wei Daxun, Wen Han, Wen Zhaolun, Wen Muye, Wen Xiang, Wu Jing, Wu Lei, Wu Mengzhang, Wu Weidong, Wu Yanshu, Wu Bai, Silzati Yahefu, Xia Wang, Xiao Yang, Xie Junwei, Nicholas Tse. Yang Yang, Angelababy, Yao Tingting, Ye Peng, Jackson Yee, Yin Xiaotian, Yu Fei, Yu Hewei, Kelly, Yu Ailei, Yu Haoming, Zhang Chen, Zhang Fengyi, Zhang Heping, Zhang Ji, Zhang Luan, Zhang Xianfeng, Zhang Xiaofei, Zhang Xin, Zhang Yibai, Zhang Yishan, Zhang Yiyun, Zhang Yifan.Xia Reheman, Chen Douling, Cheng Taishen, Fu Ruoqing, Gao Qunshu, Han Xiao, He Keke, Hu Jun, Ping Huang, Ju Wenpei, Lei Xianhe, Li Xiaofeng, Liu Miao, Liu Mingyi, Su Lun, Qin Hong, Wan Anpei, Wang Fuli, Wang Xiaotang, Wang Xingdong, Wang Yibing, Wen Qi, Xiao Guiyun, Yu Yin, Yu Baimei. Zhou Jun, Zhou Qingyun, Charlie, Zhou Xun, Zhou Yiwei, Zhou Yunhai, Zhu Yawen, Zhu Yanping, Zhu Yanmanzi, Zhu Yilong, THEO, Solemn, Zou Jing, Ba Dema, Bai Baihe, Chen Yu, He Luoluo, Li Huailong, Li Jie, Li Jun, Miao Yue, Qiao Shan, Sun Jie, Wang Jingchun and Yang Shou.

　　Xinhua News Agency, Beijing, April 7th Feature: Gathering Dreams and Strength to Build a Community of Asian Destiny

　　Xinhua News Agency reporter Sun Ping Lu Jiafei

　　The sea is wide and the sails are dancing, and the sky is high and the wind is warm. Five years ago, in Boao, the Chairman of the Supreme Leader called on Asian countries to establish a sense of community of destiny and push the development of Asia and the world to a new level. Three years ago, the Chairman of the Supreme Leader elaborated on the concept of a community of Asian destiny in Boao and drew a blueprint for a new future in Asia.

　　The 2018 annual meeting of Boao Forum for Asia is about to open. Comply with the general trend of Asian development and gather Asian development forces. China played a symphony of destiny with Asian countries, and the community of destiny gradually became the "Asian Consensus".

　　Sharing concept

　　Drinking the same river, fate is closely linked. The Lancang-Mekong River, which stretches across Wan Li, has witnessed the beautiful picture that China initiated and established a new sub-regional cooperation platform with Thailand, Cambodia, Myanmar, Laos and Vietnam to build a community of destiny.

　　In just two years, the Lancang-Mekong cooperation mechanism has become the first version of the Asian destiny community. The pattern of "leaders leading, all-round coverage and participation of all departments", the speed of "making progress every day, making achievements every month and stepping up every year" and the culture of "treating each other as equals, sincerely helping each other and being like a family" all reflect the belief and pursuit of the six countries to deepen the integration of interests and achieve common development, and also demonstrate China’s role as a leader of regional cooperation and a watcher of regional peace and development.

　　China practices the neighboring diplomatic concept of sincerity and tolerance, insists on being a good neighbor and partner, deepens friendly cooperation with neighboring countries, actively participates in multilateral cooperation mechanisms in Asia, promotes regional cooperation to blossom and form synergy, and lays the foundation for building a community of Asian destiny.

　　China-ASEAN Destiny Community, China-Pakistan Destiny Community, China-Kazakhstan Destiny Community and China-Laos Destiny Community … … The concept of community of destiny has taken root in Asia, and different levels of community of destiny complement each other.

　　Bambang Suryono, chairman of the Asian Innovation Research Center, an Indonesian think tank, believes that China’s proposal of a community of Asian destiny provides an ideological guarantee and theoretical basis for common development, peaceful coexistence and mutual benefit in the Asian region. The community of Asian destiny is rooted in China’s "harmony" culture, conforms to the traditional cultural values of Asian countries, and is deeply recognized and supported by Asian countries. Asian countries are increasingly accepting the concept of the community of destiny.

　　As the main driving force of the world economy, Asia is also facing challenges such as insufficient growth momentum and integration momentum. China, which has entered a new era, will continue to provide growth momentum for Asia and the world, deepen mutually beneficial cooperation with neighboring countries and further promote the building of a community of human destiny.

　　As Salman Ali Bettaney, a professor at the School of Politics and International Relations of Jinnah University, said, building a community of destiny is conducive to enhancing trust among Asian countries and strengthening mutual cooperation and cultural exchanges.

　　Build a dream

　　Across Qian Shan, build a dream space together. China-Pakistan Economic Corridor, China-Laos Railway, China-Thailand Railway, Anglian-Papu Railway Tunnel, Vietnam Longjiang Industrial Park, Laos Saiseta Industrial Development Zone, Cambodia Sihanoukville Special Economic Zone, Sri Lanka Hambantota Port … … China and Asian countries discuss and share the "Belt and Road" and build a community of Asian destiny with practical actions.

　　Asia is the first region of the Belt and Road Initiative. Five years ago, China initiated the "Silk Road Economic Belt" and the "21st Century Maritime Silk Road" in Kazakhstan and Indonesia respectively, which were warmly responded by Asian countries. In January 2016, the Asian Infrastructure Investment Bank was officially put into operation. So far, it has provided financial support for development projects in many Asian countries, including the expressway project in Pakistan, the subway project in Bangalore, India, the energy project in Myanmar, the slum upgrading project in Indonesia, and the fiber-optic broadband network construction in Oman.

　　The construction of the "Belt and Road" in Asia has changed the infrastructure of many countries, created a land-sea connectivity map, and stimulated local investment and industrial development.

　　Hu Yishan, chief consultant of the Malaysian Pacific Research Center, believes that the community of Asian destiny focuses on promoting economic, trade and economic development. There are still many countries and regions in Asia with backward infrastructure. The Belt and Road Initiative and the AIIB can help regions improve their infrastructure and boost regional economic development.

　　A trickle merges into the sea, and a little starlight illuminates the Milky Way. The "Belt and Road" brings together the dreams of people in Asian countries and connects the development strategies of various countries.

　　Cambodian Prime Minister Hun Sen said that the "Belt and Road Initiative" fits well with Cambodia’s national development plan. Bangladeshi Prime Minister Hasina said that Bangladesh is willing to strengthen cooperation with China in the process of realizing the dream of "Golden Bangladesh".

　　Suryono believes that the "Belt and Road" construction is conducive to integrating the resources of Asian countries, giving full play to their comparative advantages, and achieving common development and prosperity in Asia. The construction of the "Belt and Road" attaches importance to the communication between the people, which is also conducive to enhancing mutual trust and understanding among Asian countries, reducing ethnic, religious and cultural conflicts, and laying the foundation for building a community of Asian destiny.

　　Draw a blueprint together

　　As close as lips and teeth, share weal and woe. To build a community of Asian destiny, common security is essential. At present, Asia is facing traditional and non-traditional, internal and external security challenges, and regional hot spots come one after another. Countries outside the region intervene in regional security affairs, and the game of great powers around geopolitics intensifies. The common will of Asian countries to pursue peace and development calls for a new Asian security concept.

　　At the AsiaInfo Shanghai Summit in 2014, the Chairman of the Supreme Leader put forward the Asian security concept of "common, comprehensive, cooperative and sustainable". In his speech at the opening ceremony of the fifth CICA Foreign Ministers’ Meeting in 2016, the Chairman of the Supreme Leader proposed to promote the construction of a security governance model with Asian characteristics.

　　Suryono believes that the western security concept pursues absolute security and puts its own security above that of others. China’s concept of Asian security pursues common security, and only when everyone feels safe can it be truly safe.

　　Rod Capnan, a columnist of Philippine Standard, believes that China pursues "win-win" and is committed to sharing the dividends brought by its reform and development with other countries in the world. China has done the same, including promoting the building of a community of Asian destiny and launching the "Belt and Road Initiative".

　　Building a universal and safe Asian security system requires enhancing mutual trust among countries, and enhancing mutual trust is inseparable from cultural exchanges and mutual learning among civilizations within the Asian family.

　　At the 2015 annual meeting of the Boao Forum for Asia, the Chairman of the Supreme Leader proposed to hold a conference on dialogue of Asian civilizations, strengthen exchanges between young people, non-governmental organizations, local governments, media and other sectors, and build a think tank exchange and cooperation network, so that Asian people can enjoy a richer spiritual life and make regional development cooperation more dynamic. The 2016 Annual Meeting of Boao Forum for Asia held the Dialogue of Asian Civilizations. On the theme of "Colorful Civilization and New Vitality in Asia", representatives from China, Pakistan, Iran, Singapore and UNESCO started a dialogue.

　　China is good, and Asia can be good; If Asia is good, China will be better. China and Asian countries have joined hands on the journey of building a community of destiny and jointly painted a beautiful picture of a new Asia. (Participating in reporters: Liang Hui, Ji Wei, Liu Tong, Zhang Dacheng, Yuan Mengchen, Dong Chengwen, Wang Yu, Zhang Jianhua)