The movie channel 4.17-4.23 will broadcast seven domestically produced films.


Special feature of 1905 film network The mystery of Chinese treasures can be described as confusing.

The secrets hidden for five thousand years have brought continuous inspiration to domestic treasure-hunting movies.


Last week (April 10-16), the film channel continuously broadcast a series of milestone works in the history of adventure movies, as well as many domestic treasure-winning movies, which were warmly welcomed by the audience.


This week (April 17th to 23rd), we will continue to explore the secrets of Chinese treasures.



The film released in 1981 is of milestone significance in the history of domestic films.

It not only broke the single expression form of domestic films at that time, but also achieved the "zero breakthrough" of the new China Kung Fu films. It also made outstanding contributions to the earliest business model of China films, which combined martial arts, suspense and scenery, and profoundly influenced similar films in the future.


At that time, The Mysterious Giant Buddha was a luxurious configuration. 


Playing the heroine Meng Jie was the most loved by the audience that year; Playing the villain Sha Dui witnessed the growth of China’s films; Master Haineng was played by the first batch of performing artists in China.



The beautiful scenery of Emei and Leshan Giant Buddha, which appeared in a large number in the film, let us see the great rivers, mountains and cultural treasures of the motherland, and at the same time promote this Millennium Leshan Giant Buddha to the whole world.



Similarly, movies starring in the early days also show the great rivers and mountains of the motherland in the Indiana Jones adventure movies.



With the battle for the treasure "Heart of Dunhuang" unfolding, the film not only shows us the thrilling fighting scene of Yang Ziqiong, but also lets us see the beautiful scenery of Tibet Plateau, the ancient civilization of Dunhuang and the elegant demeanor of Yadan landform with the development of the story.



Action drama is an indispensable element in the film. Even The Mysterious Giant Buddha, like The Legend of the Heavenly Vein, represents the technical level at that time in the design of action drama.


In "Mysterious Buddha", the design of martial arts fighting is more inclined to actual combat, with one move, one style and one board, and different martial arts styles have mushroomed in subsequent films.


When it comes to martial arts stars, you can’t get around it.


In this week’s blockbuster movie, Jackie Chan, who was nearly 60 years old at the time of shooting, continued the extreme action style of his previous movies.



Gunfire chasing, umbrella falling in the mountains, car chasing by the side of the road, slide fighting, falling volcano … …



Under the thrilling action drama of special effects blessing, "Chinese Zodiac" shows us the patriotism that is not easy to find the animal head of the Chinese Zodiac and will never go out.


Special effects can contribute to the wonderful degree of action drama, and also create fantastic unknown images.


In this week’s fantasy adventure action movie, the most eye-catching thing is undoubtedly the China Dragon, which was built at a great expense.



A world-class visual effects and post-production team famous for its participation in the production of Harry Potter series, The Lord of the Rings and other magical masterpieces — — The China Shenlong, which RSP Special Effects Company spent two years carefully building, is vivid and contains the charm of ancient China myths.



This first film co-produced by China and China shows China culture and China elements to the world through Kung Fu and loong.


There are stories of treasure capture, and naturally there are stories of treasure identification.


Based on the novel of the same name, the film tells the story of the protagonist’s three generations’ efforts to protect the Buddha’s head of the national treasure and promote its return to China.



Jianbao pays more attention to the display of literary drama and tests the acting skills of actors.


The grandfather he played was expensive to deliver. When he came out, he felt full of comedy, seemingly afraid of death and selfish, but it was touching to take responsibility at the critical moment.


The wish played seems to be casual, but in fact, the heart is like a mirror, and complex psychological changes are hidden in it.


The yellow smoke plays a vital role in the team, and with fierce skill, he can always stand up in a critical moment and save the day.



In the overall situation, everyone is in the game, and the superb acting skills of the actors firmly grasp the hearts of the audience.


The surface of Antique close encounter of mahjong is to identify the authenticity of antiques, but the core reflects the complexity of human nature.



The antique Jianghu in the film is full of dangers, but the multi-faceted people are the real "close encounter of mahjong".


Similarly, human nature is regarded as the core soul of the film, and there are films that tell the story of cracking the theft of national treasures with multi-line fragmentation narrative strategy.



In the gripping case, the director did not focus on the "breaking the cocoon" of the police, but put the multiple dilemmas faced by the characters in front of us.



With the switching of light and shadow, the advancement of the lens, the snooping of the perspective, and the advancement of the plot, the depth of human nature is dissected silently.



Not all the films that win the treasure strive for novelty, but there are also films that have left great love.


In those days, before the fashion, he wrote a legendary love that spanned three generations through "crossing" and "robbing tombs".



Under the masterstroke of Li Bihua, a famous novelist and screenwriter in the 1990s, the film "The Love of the Ancient and the Modern Warrior" adapted from his novel "The Warrior of the Qin Dynasty" made Meng Tianfang realize "crossing", while Han Donger borrowed the setting of "reincarnation" to start a three-world love affair for us that spanned the ancient, the modern and the present.


"Write my poems with strong feelings, so that all generations will know my heart, and you will know your heart for thousands of years, sharing weal and woe."



Under the rendering of the theme song "Burning the Heart with Fire", the love story of Sansheng Sanshi is on and off, which makes people intoxicated and hard to extricate themselves.


Chinese treasures, look at the spring and autumn.


From April 17th, the movie channel will broadcast a domestic treasure-hunting movie for you every day, and follow these adventure kings to explore the mystery of Chinese treasures!


Beauty and the Beast is a romantic and moving fashion show with gorgeous modeling like a goddess.


Film poster


    1905 movie network news
The 4th Beijing International Film Festival opened in Beijing on April 16th. As the opening film of the festival, French films first met the audience in China. The film was written and directed by christophe gans, the French director who directed the thriller and suspense movie Ghost Angel. The dark colors and severe scenes show a strong dark style. The role of "Belle Bella" is played by the leading French actress Léa Seydoux, whose cool temperament and extremely gorgeous modeling are impressive.

New interpretation adds fatalism, exquisite picture, dark style

    The first published version of Beauty and the Beast appeared in the works of the French writer Madame Villeneuve in 1740. In this original version, the prince was orphaned by an evil fairy when he was young. When the prince came of age, the fairy lured him into failure and turned him into a beast. Later versions cut down the reason why the prince turned into a beast. The popular version of children’s fairy tales was basically expressed as "being turned into a beast because he didn’t know how to love". The 1946 black-and-white movie and the animated version produced by Disney in 1991 both used the children’s fairy tale version.
   
    Christopher, the director and screenwriter, made a new interpretation of the reason why the prince turned into a beast. The prince turned into a beast no longer because he was harmed by others, but because he was to blame himself. The meeting between Bella and the beast was no longer just caused by Bella’s father’s accidental intrusion, which added a strong sense of destiny. This fateful plot indirectly explained the reason why the heroine Bella fell in love with the beast.

    However, not everyone accepts this interpretation. Because the film strengthens the influence of fate on their love, some people think that Bella’s love with the beast is somewhat inexplicable, while others think that this arrangement downplays the theme of "love redemption" in fairy tales.

    The film continues the director’s dark fantasy style, and the story is told in parallel and finally naturally meets. The most impressive thing about the whole film is the gorgeous modeling of the characters and the film picture with oil painting texture. The overall tone is gloomy and gloomy, especially in the performance of large-scale scenes, which creates a strange atmosphere. In the performance of rural scenery, many frames are like European oil paintings that can be hung on the wall. Different from the background of the picture, the costumes of the protagonists are gorgeous and compelling, and the sharp contrast also strengthens the sense of drama conflict.


The picture of the film is exquisite, and the heroine is charming.

Léa Seydoux turned into a "painting man", and the French prince was elegant and charming.

    Léa Seydoux, whose Life of Adele is famous all over the world, was once described by the magazine as "a person who escaped from the paintings of the Renaissance". As a model, she has a cold face, a loose and desolate expression, and a distinctive facial contour shows a tough temperament. Leia once said in an interview that this film will be very "modern". From the perspective of clothing, it really looks like Leia’s personal fashion show.

    In the film, the dress of the heroine Bella is divided into three stages: as the youngest daughter in the family, Bella’s dress is the least complicated but the most exquisite among the daughters; After the family came down, Bella took it easy and put on the clothes of a peasant woman; After staying at the Beast Castle, Bella put on many sets of gorgeous clothes provided by the Beast. At first, the pure white showed Bella’s confusion, and then a set of blue dresses revealed Bella’s growing inner strength. Finally, the red Chinese clothes made Bella the most dazzling, and the picture of her going into danger alone was even more moving.

    The plasticity of Leiya’s personal temperament is also surprising. In "Adele’s Life", the handsome blue hair style still stays in the audience’s impression, and she can freely switch between sweetness and royal sister in the film.

    Interestingly, the prince played by Vincent Cassel in the film surprised some viewers. His rough appearance is different from the traditional handsome prince in China, and some viewers think that he is a real French prince who is elegant and mature. In fact, this famous French actor, who has appeared in other classic films, mostly appears as a beast in the film. However, when he appears as a prince, he still exudes French aristocratic temperament.